Senin, 27 Februari 2012

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Economic Incentives for Marine and Coastal Conservation: Prospects, Challenges and Policy ImplicationsFrom Routledge

Marine and coastal resources provide millions of people with their livelihoods, such as fishing and tourism, and a range of critical additional ‘ecosystem services’, from biodiversity and culture to carbon storage and flood protection. Yet across the world, these resources are fast-diminishing under the weight of pollution, land clearance, coastal development, overfishing, natural disasters and climate change. 

This book shows how economic instruments can be used to incentivize the conservation of marine and coastal resources. It is shown that traditional approaches to halt the decline focus on regulating against destructive practices, but to little effect. A more successful strategy could be to establish schemes such as payments for ecosystem services (PES), or incorporate an element of financial incentives into existing regulatory mechanisms. Examples, both terrestrial and marine, from across the world suggest that PES can work to protect both livelihoods and environments. 

But to succeed, it is shown that these schemes must be underpinned by robust research, clear property rights, sound governance structures, equitable benefit sharing, and sustainable finance. Case studies are included from south and east Asia, Latin America, Africa and Australia. The book explores the prospects and challenges, and draws lessons from PES and PES-like programmes from across the globe.

  • Sales Rank: #4825781 in Books
  • Published on: 2014-02-07
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.10" h x .70" w x 6.10" l, .0 pounds
  • Binding: Paperback
  • 296 pages

Review

"This book helpfully illuminates the question: do market-based systems which reward particular patterns of behaviour make more sense than establishing the institutions and rules for collective management systems? ...[The book] offers further evidence for the need to see resource management issues within this broader socio-institutional sphere, and the specificity of people and place in setting boundaries for what can be achieved in practice." – from the foreword by Camilla Toulmin, Director, International Institute for Environment and Development 

"The publication of this book should give scholars and practitioners alike a solid reference material on how payments for ecosystem services can be used to provide actors the economic incentives to use marine and coastal resources in a manner that conserves them well into the future." – from the foreword by U. Rashid Sumaila, Professor and Director, Fisheries Centre & Fisheries Economics Research Unit, The University of British Columbia

"Readers will find good material on how to assess both social and ecological conditions, and use this information to develop tailored payment schemes to complement traditional institutional (and publicly financed) management." – Tundi Agardy, MPA News contributing editor

About the Author

Essam Yassin Mohammed is an Environmental Economist at the International Institute for Environment and Development, London, UK.

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Rabu, 22 Februari 2012

[X204.Ebook] Ebook Free The Mystical Thought of Meister Eckhart: The Man from Whom God Hid Nothing (A Herder & Herder book), by Bernard McGinn

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The Mystical Thought of Meister Eckhart: The Man from Whom God Hid Nothing (A Herder & Herder book), by Bernard McGinn

Centuries after his work as a preacher, philosopher, and spiritual guide, Meister Eckhart remains one of the most widely-read mystics of the Western tradition. Yet as he has come to be studied more closely in recent decades, a number of different Eckharts have emerged. This volume reviews and synthesizes the diverging views of Eckhart that have been presented in recent past. For the first time, Bernard McGinn, the greatest living scholar of Western Christian mysticism, brings together in one volume the fruition of decades of reflection on these questions, offering a view of Eckhart that unites his reflections as preacher, philosopher, and theologian.

  • Sales Rank: #141896 in Books
  • Published on: 2003-03-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x .83" w x 6.13" l, 1.00 pounds
  • Binding: Paperback
  • 320 pages

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1 of 1 people found the following review helpful.
an introduction?
By Avid reader
McGinn is known as one of the great scholars of Western mysticism and Meister Eckhart as one of its greatest, most complex representatives. Therefore, a book by McGinn about Meister Eckhart must be a treat. Well, I wish it were so. Having read the book cover to cover, I asked myself what audience McGinn might have had in mind. It seems to be an introduction for experts, a contradiction in terms. Here is what I mean: Discounting a chapter in which McGinn in dissertation fashion discusses current scholarly trends on Eckhart and a concluding appendix on Eckhart's sources, this book of 305 pages contains only 145 pages of interpretative text. These 145 pages are weighed down by 75 pages of endnotes (almost 800 in number). And the interpretative section itself? Written in the most cumbersome, convoluted style possible. Admittedly, if one stays with it--following explanations that often exhaust themselves in references to other well-known theologians and mystics (pseudo-Dionysius, Augustine, Aquinas, Bernard of Clairvaux etc.) and even lesser known theologians and mystics (Dietrich of Freiburg, Berthold of Moosburg, Marguerite Porete etc.)--McGinn does give us the outline of an amazingly profound thinker and mystic. But the sheer forest of scholarly information seems all too often to obstruct and numb rather than clarify and enliven. Does an admittedly very difficult subject need to be interpreted in such a difficult way? By no means. Those who don't believe that it is possible to deal with complex, profound thinkers in clear and even elegant prose ought--for example--to read Denys Turner's recent book on Thomas Aquinas (not exactly a scholarly lightweight) or his earlier works an apophatic theology and mysticism. McGinn emphasizes that Eckhart wanted to be a "Lebemeister" (a guide to living) rather than a ""Lesemeister" (a guide to learning). It is unfortunate that McGinn has written so much of his study in the vein of the latter and so little of it in the spirit of the former.

4 of 4 people found the following review helpful.
A Marvelous Analysis and Elaboration
By L. Ron Gardner
"The Mystical Thought of Meister Eckhart" is a scholarly analysis of and elaboration on the great mystic Meister Eckhart's teachings. And to my mind, Bernard McGinn does a magnificent job clarifying and amplifying the Dominican's thought. McGinn possesses deep and intimate familiarity with Eckhart's teachings and great knowledge of mysticism in general, and this combination enables him to shed powerful, demystifying light on Eckhart's sermons.

This book is the third one I have read by Bernard McGinn--the other two are "The Foundations of Mysticism" and "The Growth of Mysticism"--and even though I am a teacher-writer of mysticism, I have learned important new things from each of them. Because Meister Eckhart is my favorite Christian mystic, I particularly appreciate the insights on him and his teachings provided by Professor McGinn in this book. Anyone looking to grow his understanding of Eckhart and/or his teachings should read this fine study.

11 of 12 people found the following review helpful.
A very good introduction to Eckhart
By B. Marold
Meister Eckhart, for those who know only his name and his association with mystical thought, probably think of him in the same category as Julian of Norwich or Theresa of Avila. He was about as much different from Julian of Norwich, and still be in the church, as you could imagine. Eckhart was first and foremost a theologian, possibly among the best in the last centuries before the Reformation, in the generation just after Thomas Aquinas. And yet, just as his work is not overladen with mysterium tremendum (that was a 20th century invention) it is not highly structured, reading much like an infantryman's drill manual. It is also not abstruse in the direction of the great logicians such as Peter Abelard and William of Occam.

For the reviewer who complained that there were none of Eckhart's own words here, I recommend he consult a good book of Eckhart's sermons, and give Professor McGinn all the room he needs to expain Eckhart's work, and that is no mean feat. Eckhart shared with many Christian AND Jewish philosophers of the Middle Ages the notion that there is nothing accurate we can say about God. The closest we can come is to imagine him as "nothing". That was Eckhart's interpretation of Paul's experience on the road to Damascus, where he went blind. His experience of God was to see nothing.

As other reviewers noted, in spite of this elusive position, McGinn, a leading expert on Medieval spirituality, does a fine job of explaining Eckhart's ideas. If I were to fault him on anything, it would be that McGinn dives us little from works which have not yet been translated into English, such as Eckhart's commentary on the Gospel of John. I have read no other expositions on Eckhart, but I would be hard pressed to see how they could improve, except by covering writings McGinn does not touch.

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Senin, 13 Februari 2012

[Z428.Ebook] Download PDF The Elder Scrolls: The Infernal City, by Greg Keyes

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The Elder Scrolls: The Infernal City, by Greg Keyes

Four decades after the Oblivion Crisis, Tamriel is threatened anew by an ancient and all-consuming evil. It is Umbriel, a floating city that casts a terrifying shadow–for wherever it falls, people die and rise again.

And it is in Umbriel’s shadow that a great adventure begins, and a group of unlikely heroes meet. A legendary prince with a secret. A spy on the trail of a vast conspiracy. A mage obsessed with his desire for revenge. And Annaig, a young girl in whose hands the fate of Tamriel may rest . . . .

Based on the award-winning The Elder Scrolls, The Infernal City is the first of two exhilarating novels following events that continue the story from The Elder Scrolls IV: Oblivion, named 2006 Game of the Year.

  • Sales Rank: #31157 in Books
  • Published on: 2009-11-24
  • Released on: 2009-11-24
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.20" h x .70" w x 5.50" l, .75 pounds
  • Binding: Paperback
  • 304 pages

Review
"This action-based fantasy will find a following among YA and adult gamers." ---Library Journal

About the Author
Born in Meridian, MS, in 1963, Greg Keyes spent his early years roaming the forests of his native state and the red rock cliffs of the Navajo Indian reservation in Arizona. He earned his B.A. in anthropology from Mississippi State University and a master's degree from the University of Georgia, where he did course work for a Ph.D. He lives in Savannah, GA, where, in addition to full-time writing, he enjoys cooking, fencing, the company of his family and friends and lazy Savannah nights. Greg is the author of The Waterborn, The Blackgod, the Babylon 5 Psi Corps trilogy, the Age of Unreason tetrology (for which he won the prestigious "Le Grand Prix de l'Imaginaire" award), and three New York Times bestselling Star Wars novels in the New Jedi Order series.

Excerpt. © Reprinted by permission. All rights reserved.
Chapter One


A pale young woman with long ebon curls, and a male with muddy green scales and chocolate spines, crouched on the high rafters of a rotting villa in Lilmoth, known by some as the Festering Jewel of Black Marsh.

“You’re finally going to kill me,” the reptile told the woman. His tone was thoughtful, his saurian features composed in the faint light bleeding down through the cracked slate roof.

“Not so much kill you as get you killed,” she answered, pushing the tight rings of her hair off her face and pressing her slightly aquiline nose and gray-green gaze toward the vast open space beneath them.

“It works out the same,” the other hissed.

“Come on, Glim,” Annaïg said, tossing herself into her father’s huge leather chair and clasping her hands behind her neck. “We can’t pass this up.”

“Oh, I think it can be safely said that we can,” Mere-Glim replied. He lounged on a low weavecane couch, one arm draped so as to suspend over a cypress end table whose surface was supported by the figure of a crouching Khajiit warrior. The Argonian was all silhouette, because behind him the white curtains that draped the massive bay windows of the study were soaked in sunlight.

“Here are some things we could do instead.” He ticked one glossy black claw on the table.

“Stay here in your father’s villa and drink his wine.” A second claw came down. “Take some of your father’s wine down to the docks and drink it there.” The third. “Drink some here and some down at the docks . . .”

“Glim, how long has it been since we had an adventure?”

His lazy lizard gaze traveled over her face.

“If by adventure you mean some tiring or dangerous exercise, not that long. Not long enough anyway.” He wiggled the fingers of both hands as if trying to shake something sticky off them, a peculiarly Lilmothian expression of agitation. The membranes between his digits shone translucent green. “Have you been reading again?”

He made it sound like an accusation, as if “reading” was another way of referring to, say, infanticide.

“A bit,” she admitted. “What else am I to do? It’s so boring here. Nothing ever happens.”

“Not for lack of your trying,” Mere-Glim replied. “We very nearly got arrested during your last little adventure.”

“Yes, and didn’t you feel alive?” she said.

“I don’t need to ‘feel’ alive,” the Argonian replied. “I am alive. Which state I would prefer to retain.”

“You know what I mean.”

“Hff. That’s a bold assertion,” he sniffed.

“I’m a bold girl.” She sat forward. “Come on, Glim. He’s a were- crocodile. I’m certain of it. And we can get the proof.”

“First of all,” Mere-Glim said, “there’s no such thing as a were- crocodile. Second, if there were, why on earth would we care to prove it?”

“Because . . . well, because people would want to know. We’d be famous. And he’s dangerous. People around there are always disappearing.”

“In Pusbottom? Of course they are. It’s one of the dodgiest parts of town.”

“Look,” she said. “They’ve found people bitten in half. What else could do that?”

“A regular crocodile. Lots of things, really. With some effort, I might be able to do it, too.” He fidgeted again. “Look, if you’re so sure about this, get your father to talk Underwarden Ethten into sending some guards down there.”

“Well, what if I’m wrong? Father would look stupid. That’s what I’m saying, Glim. I need to know for sure. I must find some sort of proof. I’ve been following him—”

“You’ve what?” He gaped his mouth in incredulity.

“He looks human, Glim, but he comes and goes out of the canal like an Argonian. That’s how I noticed him. And when I looked where he came out —I’m sure the first few steps were made by a crocodile, and after that by a man.”

Glim closed his mouth and shook his head.

“Or a man stepped in some crocodile tracks,” he said. “There are potions and amulets that let even you gaspers breathe underwater.”

“But he does it all the time. Why would he do that? Help me be sure, Glim.”

Her friend sibilated a long hiss. “Then can we drink your father’s wine?”

“If he hasn’t drunk it all.”

“Fine.”

She clapped her hands in delight. “Excellent! I know his routine. He won’t be back in his lair until nightfall, so we should go now.”

“Lair?”

“Sure. That’s what it would be, wouldn’t it? A lair.”

“Fine, a lair. Lead on.”



And now here we are, Annaïg thought.

They had made their way from the hills of the old Imperial quarter into the ancient, gangrenous heart of Lilmoth—Pusbottom. Imperials had dwelt here, too, in the early days when the Empire had first imposed its will and architecture on the lizard people of Black Marsh. Now only the desperate and sinister dwelt here, where patrols rarely came: the poorest of the poor, political enemies of the Argonian An-Xileel party that now dominated the city, criminals and monsters.

They found the lair easily enough, which turned out to be a livable corner of a manse so ancient the first floor was entirely silted up. What remained was vastly cavernous and rickety and not that unusual in this part of town. What was odd was that it wasn’t full of squatters— there was just the one. He had furnished the place with mostly junk, but there were a few nice chairs and a decent bed.

That’s about all they got to see before they heard the voices, coming in the same way they had—which was to say the only way. Annaïg and Glim were backed up in the corner, and here the walls were stone. The only way to go was up an old staircase and then even farther, using the ancient frame of the house as a ladder. Annaïg wondered what sort of wood—if wood it was—could resist decomposition for so long. The wall- and floorboards here had been made of something else, and were almost like paper.

So they had to take care to stay on the beams.

Glim hushed himself; the figures in the group below were gazing up—not at them, but in their vague direction.

Annaïg took a small vial from the left pocket of her double-breasted jacket and drank its contents. It tasted a bit like melon, but very bitter.

She felt her lungs fill and empty, the elastic pull of her body around her bones. Her heart seemed to be vibrating instead of beating, and the oddest thing was, she couldn’t tell if this was fear.

The faint noises below suddenly became much louder, as if she was standing among them.

“Where is he?” one of the figures asked. They were hard to make out in the dim light, but this one looked darker than the rest, possibly a Dunmer.

“He’ll be here,” another said. He—or maybe she—was obviously a Khajiit— everything about the way he moved was feline.

“He will,” a third voice said. Annaïg watched as the man she had been following for the last few days approached the others. Like them, he was too far away to see, but she knew him by the hump of his back, and her memory filled in the details of his brutish face and long, unkempt hair.

“Do you have it?” the Khajiit asked.

“Just brought it in under the river.”

“Seems like a lot of trouble,” the Khajiit said. “I’ve always wondered why you don’t use an Argonian for that.”

“I don’t trust ’em. Besides, they have ripper eels trained to hunt Argonians trying to cross the outer canal. They’re not so good at spotting me, especially if I rub myself with eel-slime first.”

“Disgusting. You can keep your end of the job.”

“Just as long as I get paid for it.” He pulled off his shirt and removed his hump. “Have a look. Have a taste, if you want.”

“Oh, daedra and Divines,” Annaïg swore, from the beam they crouched on. “He’s not a were-croc. He’s a skooma smuggler.”

“You’re finally going to kill me,” Glim said.

“Not so much kill you as get you killed.”

“It works out the same.”

And now Annaïg was quite sure that what she felt was fear. Bright, terrible, animal fear.

“By the way,” the Khajiit below said, lowering his voice. “Who are those two in the rafters?”

The man looked up. “Xhuth! if I know,” he said. “None of mine.”

“I hope not. I sent Patch and Flichs up to kill them.”

“Oh, kaoc’,” Annaïg hissed. “Come on, Glim.”

As she stood, something wisped through the air near her, and a shriek tore out of her throat.

“I knew it,” Glim snapped.

“Just—come on, we have to get to the roof.”

They ran across the beams, and someone behind her shouted. She could hear their footfalls now—why hadn’t she before? An enchantment of some sort?

“There.” Glim said. She saw it; part of the roof had caved in and was resting on the rafters, forming a ramp. They scrambled up it. Something hot and wet was trying to pull out of her chest, and she hysterically wondered if an arrow hadn’t hit her, if she wasn’t bleeding inside.

But they made it to the roof.

And a fifty-foot fall.

She pulled out two vials and handed one to Mere-Glim.

“Drink this and jump,” she said.

“What? What is it?”

“It’s—I’m not sure. It’s supposed to make us fly.”

“Supposed to? Where did you get it?”

“Why is that important?”

“Oh, Thtal, you made it didn’t you? Without a formula. Remember that stuff that was supposed to make me invisible?”

“It made you sort of invisible.”

“It made my skin translucent. I looked like a bag of offal walking around.”

She drank hers. “No time, Glim. It’s our only hope.”

Their pursuers were coming up the ramp, so she jumped, wondering if she should flap her arms or . . .

But what she did was fall, and shriek.

But then she wasn’t falling so fast, and then she was sort of drifting, so the wind actually pushed her like a soap bubble. She heard the men hollering from the roof, and turned to see Glim floating just behind her.

“See?” she said. “You need to have a little faith in me.”

She barely got the sentence out before they were falling again.



Later, battered, sore, and stinking of the trash pile that broke their final fall, they returned to her father’s villa. They found him passed out in the same chair Annaïg had been in earlier that morning. She stood looking at him for a moment, at his pale fingers clutched on a wine bottle, at his thinning gray hair. She was trying to remember the man he had been before her mother died, before the An-Xileel wrested Lilmoth from the Empire and looted their estates.

She couldn’t see him.

“Come on,” she told Glim.

They took three bottles of wine from the cellar and wound their way up the spiral stair to the upper balcony. She lit a small paper lantern and in its light poured full two delicate crystal goblets.

“To us,” she said.

They drank.

Old Imperial Lilmoth spread below them, crumbling hulks of villas festooned with vines and grounds overgrown with sleeping palms and bamboo, all dark now as if cut from black velvet, except where illumined by the pale phosphorescences of lucan mold or the wispy yellow airborne shines, harmless cousins of the deadly will-’o-wisps in the deep swamps.

“There now,” she said, refilling her glass. “Don’t you feel more alive?”

He blinked his eyes, very slowly. “Well, I certainly feel more aware of the contrast between life and death,” he replied.

“That’s a start,” she said.

A small moment passed.

“We were lucky,” Glim said.

“I know,” she replied. “But . . .”

“What?”

“Well, it’s no were-croc, but we can at least report the skooma dealers to the underwarden.”

“They’ll have moved by then. And even if they catch them, that’s a drop of water in the ocean. There’s no stopping the skooma trade.”

“There certainly isn’t if no one tries,” she replied. “No offense, Glim, but I wish we were still in the Empire.”

“No doubt. Then your father would still be a wealthy man, and not a poorly paid advisor to the An-Xileel.”

“It’s not that,” she said. “I just—there was justice under the Empire. There was honor.”

“You weren’t even born.”

“Yes, but I can read, Mere-Glim.”

“But who wrote those books? Bretons. Imperials.”

“And that’s An-Xileel propaganda. The Empire is rebuilding itself. Titus Mede started it, and now his son Attrebus is at his side. They’re bringing order back to the world, and we’re just—just dreaming ourselves away here, waiting for things to get better by themselves.”

The Argonian gave his imitation shrug. “There are worse places than Lilmoth.”

“There are better places, too. Places we could go, places where we could make a difference.”

“Is this your Imperial City speech again? I like it here, Nn. It’s my home. We’ve known each other since we were hatchlings, yes, and if you didn’t already know you could talk me into almost anything, you do now. But leaving Black Marsh—that you won’t get me to do. Don’t even try.”

“Don’t you want more out of life, Glim?”

“Food, drink, good times—why should anyone want more than that? It’s people wanting to ‘make a difference’ causing all the troubles in the world. People who think they know what’s better for everyone else, people who believe they know what other people need but never bother to ask. That’s what your Titus Mede is spreading around—his version of how things ought to be, right?”

“There is such a thing as right and wrong, Glim. Good and evil.”

“If you say so.”

“Prince Attrebus rescued an entire colony of your people from slavery. How do you think they feel about the Empire?”

“My people knew slavery under the old Empire. We knew it pretty well.”

“Yes, but that was ending when the Oblivion crisis happened. Look, even you have to admit that if Mehrunes Dagon had won, if Martin hadn’t beaten him—”

“Martin and the Empire didn’t beat him in Black Marsh,” Glim said, his voice rising. “The An-Xileel did. When the gates opened, Argonians poured into Oblivion with such fury and might, Dagon’s lieutenants had to close them.”

Annaïg realized that she was leaning away from her friend and that her pulse had picked up. She smelled something sharp and faintly sulfurous. Amazed, she regarded him for a moment.

“Yes,” she finally said, when the scent diminished, “but without Martin’s sacrifice, Dagon would have eventually taken Black Marsh, too, and made this world his sportground.”

Most helpful customer reviews

98 of 105 people found the following review helpful.
Excellent for the TES fan, not so much for non-TES fans.
By Fox
I'm a big TES fan. So of course I rush out to buy this puppy the moment Hasting's opened and read it the same day.

If you're not a TES fan, some of the details might elude you, but the overall story will be pretty easy to grasp. If you're the type of person who likes having all the background explained to you, you might want to read it in front of a computer with your browser open to The Imperial Library (a google search should turn it up as the first hit).

The Infernal City was a fun, quick read. I enjoyed it. There's one part in particular that pretty much screamed TES, and that made the whole thing worth reading in and of itself. TES fans will find that Tamriel has changed slightly in some places, more drastically in others. That also makes the book required reading for TES fans.

The main plot, however, isn't so strong. Without the TES background, it would be relegated to "nothing special." I think that's really what hurts the book the most. I can understand wanting to leave the truly epic TES plots for the games, but that left the book with a rather "meh" plot.

My biggest gripe with the The Infernal City is the ending. The book's not terribly short, but it ends rather abruptly for one set of characters, and I'm still not sure if a page or two went missing or what. It also screams "The next book will be a sequel," leaving me with what feels suspiciously like half a book. One set of characters had a good, solid, end-of-a-book ending, the other set were left hanging with no resolution of any kind. Acceptable in comics, yes, not so much in books. Nothing for those characters was resolved, and I feel rather cheated in that regard. Now I have to wait for the next one to come out before I get any resolution at all.

So overall, a good, fun book. Not a GREAT book, and it will certainly be improved upon with a sequel and some resolution, but definitely a good read for the TES fan.

13 of 13 people found the following review helpful.
Wait until both books are out, but read it if you're a TES fan.
By Robert Beveridge
Greg Keyes, The Infernal City (Del Rey, 2009)

How on Earth did it not occur to me when I first read the description for this a couple of months ago that "the first of two exhilarating novels" meant this was the first in a series? I try to wait until most, if not all, of a series is out before reading it these days (George R. R. Martin has taught me well). Not that I would probably have listened to my own advice in this case had I read that correctly. Elder Scrolls novels? I'm going to hop on that train from day one. Which I did, actually; I almost never pre-order novels, but the second I had book money, I tossed an order in for this (about a month before its release). So, yeah, there's been "waiting" all around where this sucker is concerned. Including the month between my finishing the book and my typing this. (I lost the first draft of my review for this book in a power outage and have been truculent about recreating the review ever since.) None of this, of course, has anything whatsoever to do with The Infernal City. I'm not usually big on novels adapted from games, but the Elder Scrolls world is something well beyond most game worlds, and I figured if any game world was detailed enough to make its novels worth reading, Tamriel would be it. While Keyes doesn't often stray outside the conventions that annoy me about most game-world books, he's still a good enough writer to make this worth reading, and the second book (whenever it appears) worth waiting for.

The book centers mostly on Annaig and Mere-Glim, a human and Argonian, respectively, from the Black Marsh. (If you don't know what an Argonian is, I cannot encourage you enough to run out and get yourself a copy of Elder Scrolls III: Morrowind or Elder Scrolls IV: Oblivion as fast as you can. Most computers produced in the last ten years should be able to handle Morrowind, but you'll need a much beefier box for Oblivion.) Annaig is something of a mage-in-training, though with the destruction of the Mages Guild (and when did THAT happen? Note that the book takes place forty years after the end of TES: Oblivion) she's got little to go and and is mostly teaching herself. Mere-Glim, who's something of a rogue, is a friend of Annaig's (and sometime unwilling guinea pig). The two of them, after hearing rumors of a huge floating city heading for the Black Marsh, decide to investigate, but events on the ground push them into it a lot faster than they would have moved otherwise. In any case, when they get there, they find that even the oddest things they know about their own world are nothing in comparison to this. Meanwhile, an Imperial City prince, also heading off to investigate the floating city, goes missing, and one of the last remaining Imperial mages is on his trail.

While the jacket copy makes it seem as if these four characters will eventually meet up and form a typical adventuring party, if that's going to happen, it'll happen in Book Two; by the end of The Infernal City, they're still separate. Juxtaposing the actual book text with the jacket copy reveals this to be a book of pure setup. That's not necessarily a bad thing; Steven Erikson, for example, is capable of writing exquisite books of setup (Midnight Tides is one of the best of the Malazan novels, for example). Keyes is not quite as accomplished a writer as Erikson, but this is still a fun book. Many other reviewers have complained that it's far too short, and I'm inclined to agree; if your entire party isn't even together by the end of book one, there's no way you're going to reach a satisfying conclusion by the end of book two. But there's more than enough going on here to keep the Elder Scrolls fans happy. And if you're not already an Elder Scrolls fan, why in the world not? *** ½

0 of 0 people found the following review helpful.
Would make a good TES questline
By Amazon Customer
I wish they would base a game, if not a series of quests off these books. They are technically Canon.

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Minggu, 12 Februari 2012

[Q584.Ebook] Download The Diving Pool: Three Novellas, by Yoko Ogawa

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The Diving Pool: Three Novellas, by Yoko Ogawa

The first major English translation of one of contemporary Japan's bestselling and most celebrated authors



From Akutagawa Award-winning author Yoko Ogawa comes a haunting trio of novellas about love, fertility, obsession, and how even the most innocent gestures may contain a hairline crack of cruel intent.

A lonely teenage girl falls in love with her foster brother as she watches him leap from a high diving board into a pool--a peculiar infatuation that sends unexpected ripples through her life.

A young woman records the daily moods of her pregnant sister in a diary, taking meticulous note of a pregnancy that may or may not be a hallucination--but whose hallucination is it, hers or her sister's?

A woman nostalgically visits her old college dormitory on the outskirts of Tokyo, a boarding house run by a mysterious triple amputee with one leg.

Hauntingly spare, beautiful, and twisted, The Diving Pool is a disquieting and at times darkly humorous collection of novellas about normal people who suddenly discover their own dark possibilities.

  • Sales Rank: #107670 in Books
  • Brand: Ogawa, Yoko/ Snyder, Stephen
  • Published on: 2008-01-22
  • Released on: 2008-01-22
  • Format: Deckle Edge
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.24" h x .51" w x 5.54" l, .35 pounds
  • Binding: Paperback
  • 164 pages

From Publishers Weekly
In this first book-length translation into English, Japanese author Ogawa's three polished tales demonstrate her knack for a crafty, suspenseful hook. Each is narrated in the listless, emotionally remote voice of a young woman, such as the high schooler of the title story whose infatuation with her foster brother, Jun, prompts her to obsessively observe his diving practice. As the daughter of religious parents who run an orphanage, Aya feels alienated from the workings of the so-called Light House and finds an outlet for her frustration in romantic fantasy about Jun as well as in tormenting—shockingly—an orphan baby. The underhandedly creepy Dormitory is narrated by a Tokyo wife who begins nursing the ailing, armless one-legged manager at her old college dormitory. The manager's increasingly alarming tale of love for one of the renters, now vanished, enthralls the wife. Pregnancy Diary offers a bit of levity, narrated by a young unmarried woman whose rage toward her pregnant sister take the form of cooking her grapefruit jam prepared from fruit treated with a chromosome-altering chemical. Ogawa's tales possess a gnawing, erotic edge. (Feb.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review

“Yoko Ogawa is able to give expression to the most subtle workings of human psychology in prose that is gentle yet penetrating.” ―Kenzaburo Oe, Nobel Prize-winning author of A Personal Matter

“Three beautifully-drawn and genuinely eerie stories. Each one builds an image that you can't quite shake out of your mind.” ―Aimee Bender, author of The Girl in the Flammable Skirt

“What a strange and compelling little volume this is. Yoko Ogawa's fiction is like a subtle, psychoactive drug. Long after you read it, The Diving Pool will remain with you, shifting your vision, eroding your composure, raising questions about even the most seemingly conventional people you encounter. Her gift is to both reveal and preserve the mystery of human nature.” ―Kathryn Harrison, bestselling author of The Kiss

“Ogawa is original, elegant, very disturbing. I admire any writer who dares to work on this uneasy territory--we're on the edge of the unspeakable. The stories seem to penetrate right to the heart of the world and find it a cold and eerie place. There are no narrative tricks, but the stories generate a surprising amount of tension. You feel as if you've touched an icy hand.” ―Hilary Mantel, author of Beyond Black

About the Author

Yoko Ogawa's fiction has appeared in The New Yorker, A Public Space, and Zoetrope. Since 1988 she has published more than twenty works of fiction and nonfiction, and has won every major Japanese literary award.

Most helpful customer reviews

15 of 15 people found the following review helpful.
Off the Deep End
By Crazy Fox
When in doubt, start at the beginning. It only makes sense then that the first book-length translation of fiction by Ogawa Yoko should include three short stories (or "novellas" [sic]) from the years 1990 and 1991, around the time her writing career was just kicking in. And while showing traces of a new writer just getting her bearings in the Japanese literary world, all three stories really stick with you. "The Diving Pool" and "Pregnancy Diary" are quietly chilling and enormously disquieting in their unsentimental and frank exploration of the streak of wanton cruelty and stifled but simmering resentment lurking in the psyches of ordinary, everyday people--a minister's teenage daughter with a girlhood crush and a part-time worker living with her pregnant sister and brother-in-law. Like a good writer, Ogawa shows rather than tells. She is incredibly adroit at using sensual data to get her point across and move the tale along, and the sicky-sweet and sometimes stomach-churning array of tastes, smells, and textures she weaves into her narrative communicates volumes to the attentive reader and lures them inexorably into a virtual synesthetic experience not so welcome in the final analysis.

After traipsing through the heart of darkness in humdrum urban Tokyo with these first two stories, you're then easily faked out by "Dormitory," which seems to be falling in the same direction but then throws you for a loop. An offbeat little sketch of a tale, not a single element is jarringly implausible in a discernibly empirical sense and yet the total effect is nonetheless unmistakably surreal. In this as well as a few recognizably typical tropes (inexplicable disappearance, for instance), it could almost be read as a homage to or parody of Murakami Haruki. And yet one can't shake the sense that Ogawa is pursuing similar themes of alienation and resentment in a slightly different register here in a way all her own.

As fiction goes, these are not great masterpieces, it must be said. There is something just a bit naggingly unsatisfying and unconvincing about each story, and the exaggerated cruelty Ogawa depicts seems just a tad over the top, as if she's maybe relying on shock value to make some waves. That said, these works show the enormous promise of an up-and coming author who has since established herself securely, and as such they should make quite a splash this side of the Pacific as well.

6 of 6 people found the following review helpful.
Unfettered, graceful, seductive, soft, and simple
By Jamie S. Rich
I have been dying for some more Ogawa ever since I read two of her short stories in The New Yorker over two years ago and instantly fell for her prose. A novel that was supposed to come out last year never arrived, and it's been one long tease.

Ogawa writes with unfettered, graceful prose that is seductive in its softness and simplicity, lending even more shock value to her dark subjects. In the title story, a young girl who grew up in the orphanage run by her parents has grown obsessed with the only boy to ever live there long enough to reach high-school age, and her unfulfilled passions start to emerge in acts of cruelty directed at the home's newest and youngest member. It's disturbing without being exploitative and grotesque.

Amidst the calm writing are often wonderful images, such as a snow storm inside the house or lines like "He reappears out of the foam, the rippling surface of the water gathering up like a veil around his shoulders...." Ahhhhh.

The second story, "The Pregnancy Diaries," tackles a somewhat commonplace subject in a unique way. A woman keeps a journal chronicling her sister's pregnancy, writing about it in terms evocative of science fiction and horror. Yet, Ogawa does so without straining the metaphor or using obvious language.

The final story, "Dormitory," details a woman's return to the spartan housing that was her college apartment, and the strange triple-amputee landlord that lives there. It's a mystery tale, a gothic horror story, and yet also a personal soliloquy. The final image shows her reaching directly in the complex patterns that connect all life.

Wonderful stuff. Deep, yet reads like a breeze. Loved it.

4 of 4 people found the following review helpful.
Cruelly Beautiful
By Harkius
A collection of disturbing stories by one of Japan's foremost contemporary writers, Yoko Ogawa mines the same headspace as Haruki Murakami and Natsuo Karino, with much different results. Whereas Haruki Murakami's protagonist, Boku, is typically a thirty-something, dissatisfied, disconnected, but generally good male, searching for he-knows-not-what, and Natsuo Kirino's violent female protagonists searching for power in the only ways that they know how. Yoko Ogawa's creations are cruel, but only because they can see no other options.

I notice from Crazy Fox's review that I am not the only one to connect Murakami and Ogawa. Crazy Fox suggests, "a few recognizably typical tropes (inexplicable disappearance, for instance), it could almost be read as a homage to or parody of Murakami Haruki. And yet one can't shake the sense that Ogawa is pursuing similar themes of alienation and resentment in a slightly different register here in a way all her own," which I heartily agree with. I disagree, though, that the endings are unconvincing or that the cruelty herein is exaggerated. I think that the characters in this book (Aya, the unnamed part-time worker, and the triple amputee), are desperately reaching out to the world around them, perhaps in the only way that they can. As cheindemer suggests in a review largely identical to Yoko Ogawa's Wikipedia article, "her characters often don't seem to know why they're doing what they are," but this is precisely the point. They don't understand their cruelty. They don't understand why they can't reach out with love, and why their attempts to do so are rebuffed, or meaningless. Instead, they must reach out, cruelly and maliciously, to feel that connection, because perhaps only in this fashion can the devastatingly deep crevasses between us be crossed in these tableaux.

One reviewer, Jack M. Walter, suggests that, "[Yoko] Ogawa is certainly no Natsuo Karino." I certainly agree, and I couldn't be happier. Having read Real World by Karino, I must say that I find the disconnection between individuals that is arguably examined by the latter is much more reasonably considered here. Karino, at least in Real World, suggested that the disconnection between individuals has become so great that people will overlook practically anything in their desire to feel involved. Ogawa, on the other hand, suggests that people will DO practically anything in their desire to feel involved. The difference here is profound and manifest, making Ogawa's work have an immediate and beautiful impact that Karino is still striving for.

The stories in this collection are cruelly beautiful. The aesthetics are disturbingly wonderful. And the characters are chillingly lovable. They are human beings, desperately longing for a connection that they cannot feel. In all, Yoko Ogawa presents a horrible specter of humanity, one that may be all too real.

A-

Harkius

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Rabu, 08 Februari 2012

[G604.Ebook] Download PDF The Art and Science of Low Carbohydrate Living: An Expert Guide to Making the Life-Saving Benefits of Carbohydrate Restriction Sustainable

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The Art and Science of Low Carbohydrate Living: An Expert Guide to Making the Life-Saving Benefits of Carbohydrate Restriction Sustainable

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The Art and Science of Low Carbohydrate Living: An Expert Guide to Making the Life-Saving Benefits of Carbohydrate Restriction Sustainable

Carbohydrate restricted diets are commonly practiced but seldom taught. As a result, doctors, dietitians, nutritionists, and nurses may have strong opinions about low carbohydrate dieting, but in many if not most cases, these views are not grounded in science.   Now, whether you are a curious healthcare professional or just a connoisseur of diet information, two New York Times best-selling authors provide you with the definitive resource for low carbohydrate living. Doctors Volek and Phinney share over 50 years of clinical experience using low carbohydrate diets, and together they have published more than 200 research papers and chapters on the topic. Particularly in the last decade, much has been learned about the risks associated with insulin resistance (including but not limited to metabolic syndrome, hypertension, and type-2 diabetes), and how this condition is far better controlled by carbohydrate restriction than with drugs.  In this book, you will learn why: 

  • Carbohydrate restriction is the proverbial 'silver bullet' for managing insulin resistance, metabolic syndrome and type-2 diabetes. 
  • Restricting carbohydrate improves blood glucose and lipids while reducing inflammation, all without drugs. 
  • Dietary saturated fat is not a demon when you are low carb adapted.
  • Dietary sugars and refined starches are not needed to feed your brain or fuel exercise. 
  • Long-term success involves much more than simply cutting out carbs. 
  • Electrolyte and mineral management are key to avoiding side effects and ensuring success.
  • Trading up from sugars and starches to a cornucopia of nutrient-rich, satisfying, and healthy foods is empowering. 
  • Studying hunter-gathers' diets provides clues to how best formulate a low carbohydrate diet. 
This is a great book for health-minded individuals. It is an excellent book for healthcare professionals. Best of all, it is the perfect gift for health-minded individuals to share with their doctors, dietitians, and nutritionists.

  • Sales Rank: #6107 in Books
  • Published on: 2011-05-19
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .72" w x 6.00" l, .94 pounds
  • Binding: Paperback
  • 316 pages

About the Author
Jeff Volek is a dietitian-scientist who has spent 15 years studying diet and exercise effects on health and performance. He has held an academic position at Ball State University and is currently an associate professor at the University of Connecticut. Dr. Volek has contributed to 3 books, 2 patents, and over 200 papers. He received his dietetic training at Michigan State University and Penrose St Francis Hospital and his PhD in Exercise Physiology from Penn State University. Steve Phinney is a physician-scientist who has spent 35 years studying diet, exercise, fatty acids, and inflammation. He has held academic positions at the Universities of Vermont, Minnesota, and California at Davis, as well as leadership positions at Monsanto, Galileo Laboratories, and Efficas. Dr. Phinney has published over 70 papers and several patents. He received his MD from Stanford University, his PhD in Nutritional Biochemistry from MIT, and post-doctoral training at the University of Vermont and Harvard.

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492 of 500 people found the following review helpful.
In Depth and Utterly Fascinating
By CMCM
There are so very many in depth and all inclusive reviews I see no reason to parrot what they have all said, but I'll say that I agree enthusiastically. Jimmy Moore's review in particular is a gem!

As a person who is fascinated with this subject and who eagerly devoured both of Gary Taubes' books, this one offers yet a deeper and more clinical examination of the science of low carbohydrate eating from two doctors who have been immersed in this field for 30 years. This is most definitely NOT a book for the casual reader interested in following a low carb diet. Rather, this is a book that will be understood and appreciated by someone who has a great deal of personal interest in learning more about this subject and who enjoys the deeply scientific explanations and discussion, and additionally, a person who has already done a fair bit of reading on this subject. This book is most definitely targeted at someone with a scientific and medical background, specifically doctors, and there are things that I had to read a few times to fully comprehend and absorb, but if you have the inclination and interest, this is a very rewarding and enlightening discussion that is quite unique in the current low carb literature. One would be hard pressed to deny the absolutely overwhelming and glaring evidence arguing for low carb diets when the vast body of proof is presented as compellingly and clearly is it is here. Low carb's undeniable superiority as a way of eating is nothing short of amazing to read about in all its historic and fascinating glory. My own personal observation and experience (also success) with eating low carb left me with vaguely formed ideas and I was self-identified as perhaps a "carb sensitive" person, and yet I couldn't put it all together in terms of how it ultimately affected me until I read this book, which discusses this subject at great length. Carb sensitivity is apparently a matter of degree within each individual, and I now understand the hows and whys of its effects on me as related to my own independent observations over the years. It's now clear why a low carb diet works so superbly and easily for me (when nothing else works) and why it has so vastly improved my health in myriad ways.

Another important discussion was that of individual variability, which explains why not every diet works for everyone equally, why some don't gain weight on a high carb diet and why some can lose weight equally well on various types of diets. One shoe obviously does not fit all, and for some, only one shoe fits!

Despite my own success with weight loss and good health eating low carb, I still had this nagging worry about fats in particular, especially in light of the deafening chorus of low carb detractors out there who railed endlessly about the dangers of fat. My insecurity about this aspect of low carb eating has now been entirely put to rest because of how fully the authors explain the body's use of fat in all its aspects. This alone make this book a valuable asset.

As it was when I was reading the two Taubes books, I continue to be dismayed and disgusted by the narrow mindedness and yes, dishonesty of the general scientific/nutrition community. The word "sheeple" comes to mind, but it's even more than that. It's about politics, money, influence peddling as well. It is nothing short of amazing how so many of us lay folks out in the trenches can quite clearly see all the evidence for what it is and relate it to our own experiences, and as a result we draw such a different conclusion from the so-called "experts" with regard to the merits of low carb eating. Many, maybe even most of the diet gurus continue to march down that same old highway chanting their tired mantra of low fat/high carb/grains are great, all while totally ignoring or at least remaining oblivious to decades of increasing obesity rates that are the result of their recommendations. Do they never connect any dots or examine the evidence? In the popular media, it is a continual frustration to hear them continue to hawk diets full of the very foods that keep their patients overweight, increasingly diabetic and unhealthy. Virtually everything I come across that is not written within the low carb framework is jam packed with misinformation and downright untruths, proclaiming as desirable, healthy and effective the very approaches and strategies that were long ago shown to be just the opposite. Old habits and beliefs die hard, apparently.

So if you have already done a fair bit of reading on this subject and thirst for a deeper, more thorough knowledge and understanding of the history and actual body mechanics of low carb nutrition, then this is definitely a book you will want to read and enjoy. In addition, it provides you with a huge new database of ammunition with which to make your own case and defense of low carb nutrition! Overall a very fascinating, enlightening, comprehensive and well presented discussion that delves deeper than anything I have yet to come across in this field. Despite the rather high cost of this book, it is well worth owning.

19 of 19 people found the following review helpful.
Love low carb/keto living
By L. R. Symans
I just lost 20 pounds in four months doing a KETO based diet. JUST read this book...so helpful. I'm a low carb/primal/paleo (can we invent anymore labels nowadays? LOL!) I have not eaten grains, beans, much fruit for 6 years. No longer have any chronic respiratory problems BUT I never lost weight ..maintained - kinda but never lost. I was eating too much protein - who knew? I started to research lower calories and learned about adjusting my macros and keeping a food log on FitDay.com (oh yeah I caved and started logging my daily foods) and lost the weight fast. Some weeks I gained a pound but the next week I lost two...what they say in this book about water weight fluctuation is true. I only weigh once a week. NOW I am learning to maintain...I exercise moderately which means my new macro calculations are about 3-400 more calories a day. Bummer Man...now I have to eat more Kerry Gold butter and organic coconut oil while keeping my protein and carbs the same...oh well LOL!

Don't listen to the naysayers! Oh, the only reason I gave this four not five stars is because canola oil is mentioned as part of the good oils...no no no - new research says that Canola oil (or rape seed oil as it is called) is rancid stuff and coconut oil is hardly mentioned at all and should be. I make coffee every morning with a tab of butter and a tab of coconut oil and blend with my "Smart Stick" - a little cinnamon, a couple of tabs of chia seeds - amazing treat. The book was published in 2010 so it makes sense that the current research on oils is not included. Other than that - wonderful...another low carb bible to add to my library. Love low carb/keto living...thanks for well researched information gentlemen.

12 of 12 people found the following review helpful.
A book that has changed my life!
By Johnchmusic
I am turning 60 next month and this book has set me on a course spending the next few decades I have being healthy, not dependent on drugs, and with a nutritional plan that is satisfying with great rewards. I have gone from 240lbs to 175lbs, down from "44's to 34's" in my pants, from XXL to Mediums in shirts. I am not a "reader," but this book caught my heart and soul giving me hope and results. Many have given up on doctors and politicians just as myself, but now are taking on, by ourselves, being responsible for our personal well-being physically. This book is easy to read, very well laid out, and written for the potential of your success. And here is the bottom line - it works! Go for it. Give it a try and enjoy the benefits. -John Lincks, Owasso, OK 9/24/14

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Senin, 06 Februari 2012

[O107.Ebook] PDF Ebook 101 Uses for Silly Putty, by Linda Sunshine

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101 Uses for Silly Putty, by Linda Sunshine

101 Uses for Silly Putty

  • Sales Rank: #6918707 in Books
  • Brand: Andrews Mcmeel Pub
  • Published on: 1990-10
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.60" h x 4.90" w x .40" l,
  • Binding: Paperback
Features
  • Great product!

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Sabtu, 04 Februari 2012

[S749.Ebook] Ebook Free Collins Flower Guide: The Most Complete Guide to the Flowers of Britain and Ireland, by David Streeter

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Collins Flower Guide: The Most Complete Guide to the Flowers of Britain and Ireland, by David Streeter

Featuring all flowering plants, including trees and grasses, and ferns, this brand-new field guide to the flowers of Britain and northern Europe is the most complete illustrated, single-volume guide ever published. Leading botanical artists have been specially commissioned to ensure accurate, detailed illustrations. Species are described and illustrated on the same page, with up-to-date authoritative text aiding identification. Plants are arranged by family, with their key features highlighted for quick and easy reference. The text offers a complete account of over 1,900 wild flowers of Britain and Ireland, along with a summary of their European distribution. 'Collins Flower Guide' is an indispensable guide for all those with an interest in the countryside, whether amateur or expert.

  • Sales Rank: #4647956 in Books
  • Published on: 2009-06-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.50" h x 1.90" w x 5.50" l, 2.99 pounds
  • Binding: Hardcover
  • 576 pages

Review
'This book is a great achievement that will be hard to match ... a beautiful and well-judged illustrated flora.' British Wildlife

About the Author
David Streeter is Reader in Ecology in the School of Biological and Environmental Sciences at the University of Sussex and a member of the Editorial Board of the prestigious Collins New Naturalist series. He has served on the council of the Botanical Society of the British Isles and as chairman of its Conservation Committee and he is president of the Sussex Wildlife Trust.

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1 of 1 people found the following review helpful.
A beautiful new field guide to the flowering plants of Britain and Ireland
By Christopher J. Sharpe
I confess to being a field guide addict, so when I this new Collins Flower Guide at the UK Birdfair, I knew I had to get it. The previous titles in this series - birds, butterflies and trees - are the definitive guides to their respective groups; indeed Collins Bird Guide in my opinion, sets the standard as the best field guide to an avifauna anywhere in the world. So despite the price, it was not hard to part with the money.

Having field-tested this book at the tail end of the flowering season, I am certainly not disappointed. The book is billed as "the most complete guide to the flowers of Britain and Europe", and it probably is. Some 1,900 species are described and the grasses and ferns are treated to full colour plates. The attractive features of the other guides in the Collins series - plates and text on a single spread, clear type-face and layout, compact form, excellent illustrations - are all here. The plates are particularly satisfying: beautifully painted, they look to be the most accurate yet included in a guide of this type. And, as in other plant guides, keys are provided as a more structured way to identify flowers.

But this book faces some pretty stiff competition, namely from Blamey, Fitter & Fitter's Wild Flowers of Britain and Ireland and Rose's Wild Flower Key. How does it stand up? I'm a sucker for Marjorie Blamey's illustrations, so I have most of her books and I love Wild Flowers of Britain and Ireland, not least as an armchair flora. Rose has long (at least for the quarter century since I took any botany classes) been recognised as the most accurate illustrated field flora - the botanist's guide of choice. Despite its fine illustrations and keys, I am not sure that this current guide can rival either of them. I took both Rose and the Collins guide out into Norfolk and ran several plants - tricky things like umbellifers and crucifers - through the keys and Rose performed flawlessly, whereas the new guide was a little murkier. Some of the illustrations are quite "washed out" or at least not as saturated as others, leading to some loss of details - notably in the Asteraceae in my copy. Opened the book at the oaks, I noticed that the Sessile Oak caption is missing - admittedly just a detail. In the end though, much as I warm to the new guide, I find that I am carrying Rose rather than the Collins guide into the field when I want a reference I can depend on. Perhaps it's just that when I pick up a guide, Rose fits more easily into my pocket and is a fair bit lighter.

In sum, this is a guide that the plant enthusiast will want to have, but if you already possess a trusted field guide like Rose, you may not want to pay for the more expensive new Collins Flower Guide, beautiful as the illustrations may be. Having said that, I have no regrets at having this handsome new field guide on my shelves - the more field guides the better.

Chris Sharpe, 4 November 2009. ISBN-13: 978-0-00-710621-9

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