Download PDF Mister Death's Blue-Eyed Girls, by Mary Downing Hahn
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Mister Death's Blue-Eyed Girls, by Mary Downing Hahn
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Based on an actual crime in 1955, this YA novel is at once a mystery and a coming-of-age story. The brutal murder of two teenage girls on the last day of Nora Cunningham’s junior year in high school throws Nora into turmoil. Her certainties—friendships, religion, her prudence, her resolve to find a boyfriend taller than she is—are shaken or cast off altogether. Most people in Elmgrove, Maryland, share the comforting conviction that Buddy Novak, who had every reason to want his ex-girlfriend dead, is responsible for the killings. Nora agrees at first, then begins to doubt Buddy’s guilt, and finally comes to believe him innocent—the lone dissenting voice in Elmgrove. Told from several different perspectives, including that of the murderer, Mister Death’s Blue-Eyed Girls is a suspenseful page-turner with a powerful human drama at its core.
- Sales Rank: #971775 in Books
- Brand: Hahn, Mary Downing
- Published on: 2013-04-16
- Released on: 2013-04-16
- Original language: English
- Number of items: 1
- Dimensions: 8.25" h x .80" w x 5.50" l, .40 pounds
- Binding: Paperback
- 336 pages
From School Library Journal
Gr 7 Up-Nora Cunningham's world turns upside down when two of her teenage girlfriends are killed. Buddy Novak, the ex-boyfriend of one of the girls, is the prime suspect, and Nora and the rest of the town believe that he is guilty. As she learns more, however, she starts to doubt that he was involved. Nora also faces her own tribulations in her small town of Elmgrove, Maryland. She once was so sure of her life, but now she questions who she is and what she wants. Hahn's novel (Clarion, 2012), set in 1955, is a combination of a mystery and a coming-of-age story and is based on an actual crime that the author lived through as a teenager. It is told through alternating points of view between Nora and the individual responsible for the crimes. The narration immediately sets the mood with Nick Podehl's dark, hushed tones that sound manic and even scary at times. A definite purchase for those looking to add quality fiction to their audiobook collections.-Katie Llera, Bound Brook High School, NJα(c) Copyright 2013. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review
A Kirkus Best Teen Book of 2012 * "An engrossing exploration of how a murder affects a community."—Kirkus Reviews, starred review "This is a thinking-teen's mystery."—Bulletin "Hahn emphasizes the universality of growing up and facing death."—Horn Book * "This wrenching novel offers an aggregate portrait of the effects of loss and grief, including both the strengthening and dissolution of relationships."—Publishers Weekly, starred review "This creepy tale slowly and craftily builds tension . . . It has the added feature of offering a unique snapshot of life in the 1950's."—School Library Journal "The veracity of this tragedy raises the stakes for readers who are already fans of Hahn's supernatural fiction, and the coming-of-age component of Nora's shattered naïveté is all the more searing."—Bulletin
From the Author
This is the most difficult book I've ever written, mainly because it is based loosely on my own experiences as a teenager. Writing it brought back memories as intense as the day they happened. When I sat down at the computer, I traveled straight back into the past. I remembered the words of songs I'd never really forgotten, poetry and books and movies, the clothes we wore, the things we talked about -- and thought about, my feelings of inadequacy and insecurity, my increasing religious doubts, my uneasy relationship with my mother, and so on. Since it is unlike my other books, I challenged myself to experiment by using the present tense and employing multiple points of view-- very liberating. When I finally finished the book, I was very nervous about its reception. Would kids read it thinking it was a typical middle school ghost story? Would some be offended by Nora's leaving the Church? Or by her curiosity about sex? Or the smoking and drinking? Would people who remembered the murders be upset by my factionalized treatment of the events set in motion that June morning in 1955? Well, I told myself, we write the stories we have to write. And this is the best book I've ever written. At least I think so.
Most helpful customer reviews
2 of 2 people found the following review helpful.
Review from Esther's Ever After
By Brenna
Confession: I've had a longtime obsession with crime stories. I blame my family (and too much old A&E TV shows as a child, and maybe a few too many years of CSI more recently) for this. I'm fascinated by it. I'm horrified and disturbed at times. But there's nothing scarier than some of these real life stories.
Needless to say, Mister Death's Blue-Eyed Girls caught my eye for exactly this reason. And I think it was also because of this that led to my unfortunate disappointment with the book as a whole. It really wasn't the crime story I was hoping for, not at all.
Reasons to Read:
1.A coming of age story:
I might have liked this book more if I had had a better idea that I was supposed to expect a coming of age story rather than a crime story. And it's a fascinating look at one turn of events that tragically impacted a large number of people. But our narrator, Nora, finds this stage of her life to be almost completely defined by this murder - it really does end up triggering a number of life changing decisions and realizations for her.
2.The setting: 1950s small town:
I absolutely loved the vintage feel of the book - from the pop culture, the little bits of fashion talked about, the ideas, the struggles, the societal changes, etc. It was fascinating for me to read about and a time period that YA doesn't typically feature.
The real problem with this book for me though was that it didn't feel like fiction. Instead, it felt more like a memoir which makes sense if you read the Acknowledgements of the book, where Mary talks about how this book was inspired by an event which actually happened to her as a teenager. And she lays out the truth of what happened - which is actually VERY, extremely close to what happens in the book. So rather than feeling like fiction, Mister Death read to me like (a biased) account of Mary's experiences with the murder of two teen girls she knew.
And normally this wouldn't be an issue. Except for when it comes to who the killer is - Nora has doubts that the ex-boyfriend, Buddy, killed the girls even though the entire town believes it was him. Mary explains how she has the same doubts, so this read to me (without seeing any real evidence of who committed the murders) as if this book was supposed to portray (what she believes to be) what ACTUALLY happened, even if no one believes it. Then the book was labelled as "fiction" in case anyone was upset by the message.
I'm not a fan of this. But regardless, I still felt like much of the book revolved around external experiences rather than the murder itself, which is why I wanted to warn you that it really isn't a crime story. After the murders occur, the story breaks off to Nora's life. About her relationship with boys, about her doubts regarding her faith, and growing up and losing friends. But I had a difficult time piecing it all together, and along with the numerous other points of view (there were 8 in total, I believe, including Nora's) made the story feel far too convoluted for me.
Review copy received from Thomas Allen & Son Ltd for my honest review; no other compensation was received.
2 of 2 people found the following review helpful.
A Gem Of A Book
By April
Mister Death's Blue-Eyed Girls by Mary Downing Han' is a well-written historical fiction YA novel about the murder of two girls which shakes a small town in the 1950s. Nora, the main character, is at the heart of Mister Death's Blue-Eyed Girls'. Nora is friends with the victims, Cheryl and Bobbi-Jo and hangs out with them the night before their murders. The deaths of the two girls come as a shock to Nora. Much of Elmgrove, the Baltimore suburb in which this book is set, believes Cheryl's ex, a ne'er do well named Buddy was the killer, but Nora has her doubts, which the book explores.
The structure of Mister Death's Blue-Eyed Girls' is quite interesting. The book is divided into alternate point of view chapters with letters as well as diary entries. Further, we also get the point of view of the killer which is incredibly creepy. The narrative structure lends itself quite well to exploring themes of tragedy and growing up.
Tragedy changes Elmgrove. The residents' sense of safety is shaken. Those close to it experience deep hurt and pain, as is typical to the grieving process. Yet, we also get to see Nora's reactions to those who sensationalize the tragedy, those who are kind to her because they want the lurid details. Mary Downing Hahn' does a fair job portraying the very real emotions and different faces that tragedy can wear.
Perhaps the best part of Mister Death's Blue-Eyed Girls' is the dynamism of Nora as a character. She starts out as quite an immature young girl, with her biggest worry being if the popular jock notices her or not. Then we see Nora deeply questioning different aspects of her life as an outcome of the murders. Nora does question her faith as well, but in a respectful manner. I think that a lot of teenagers will be able to identify with Nora's turning points and with her questioning, even if tragedy has not struck their lives.
In all, Mister Death's Blue-Eyed Girls by Mary Downing Hahn 'is a book that stands out. It is fast-paced, engaging and thought-provoking. While Mister Death's Blue Eyed Girls' may not have the fanfare of bigger YA releases, it is a gem of a book that I absolutely would recommend for readers who enjoy true crime as well as historical fiction.
3 of 4 people found the following review helpful.
Unassuming solid read
By sanoe.net
Mary Downing Hahn's "Mister Death's Blue-Eyed Girls" is based on a real life event in the author's life. The time period is when she was a teenager in the mid-50s.
I am really grateful that Ms Hahn remained in that time period rather than trying to 'modernize' it to the current time period because the 50s, with its unique anachronisms and cultural habits, give the story of a murder and suspicion that extra tension.
An example is the difference between watching Robert Mitchum's "Cape Fear" and the Robert DeNiro's "Cape Fear." The way of living in the 50s is different from this modern era and Hahn, having grown up in that era, translates it accurately and in an unassuming way.
Her lead character, Nora, is full of youthful dreams and vigor. She's well aware of her flaws but not obsessed with them. She's moving along in life with normal anxieties about the family car being too old and worn or daydreaming about her crush who'll never look twice at her.
But when an event disrupts her town, it disrupts her life as well as she is closer than most.
Hahn writes in an unpretentious but precise way. The reader feels the change in tone as the situation gets tighter. It almost plays like an old Hitchcock film but YA style.
The great and honest thing is that Hahn offers no easy out at the end because in true, old fashioned YA style (think "The Chocolate War"), life isn't always easy and what should happen doesn't always happen.
Suffice it to say, I enjoyed reading this book. The ambience of the 50s, the tension of suspicion, the loss of innocence, it all played out solidly in this gem of a novel.
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