Minggu, 25 Maret 2012

[A571.Ebook] Ebook The Lost Distilleries of Ireland, by Brian Townsend

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The Lost Distilleries of Ireland, by Brian Townsend

Scotch may be the most popular whisky in the world today, but over a century ago, it was Irish whiskey which was most commonly drunk throughout the world. At the time of writing only three producing units exist at Midleton, Co Cork; Bushmills, Co Antrim and Cooley at Dundalk, Co Louth. In this book, Brian Townsend has meticulously researched the lost distilleries of Ireland and details what happened to them. In part I, he relates the origins of distilling in Ireland (an Arabic hand-down to Irish monks); the links with Scotland; the wild years when illicit distilling was rampant and shebeens proliferated as corruption increased; the coming of legitimacy and temperance; the development of the Coffey still (which ultimately helped to sink the industry); the golden years; and, prohibition in the USA and the emergence of the Free State in 1922. In part II, each distillery is listed and accompanied with archive photos and etchings. The list will include: Bow Street, John's Lane, Thomas Street, Marrowbone Lane, Jones Road and Phoenix Park (all Dublin); Monasterevan, Co Kildare; Tullamore, Brusna and Birr (all Co Offaly); Nun's Island, Galway; Limerick, Co Limerick; North Mall, Cork; Midleton, Glen and Bandon (all Co Cork); Bishop's Water, Wexford; Dundalk, Co Louth; Royal Irish, Avoniel and Irish, Belfast; Upper and Lower, Comber, Co Down; and, Coleraine and Limavady, Co Londonderry and Abbey Street and Waterside, Londonderry. Black and white contemporary and archive photographs accompany the text.

  • Sales Rank: #1935985 in eBooks
  • Published on: 2015-02-28
  • Released on: 2015-02-28
  • Format: Kindle eBook

From the Publisher
The answers to Ireland's decline in distilling heritage are to be found in the pages of this book which looks at over 25 of the larger distilleries that managed to survive through the better part of the 19th century as well as some 15 smaller ones such as Burt, Westport, Shee's and Dodder Bank.

About the Author
Brian Townsend is a journalist with an abiding interest in architecture and industrial archaeology. His is author of The Glory That Was Home (1990) and Scotch Missed: The Lost Distilleries of Scotland (1993). He lives near Dundee.

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Kamis, 22 Maret 2012

[O564.Ebook] Free PDF Stealing History: Tomb Raiders, Smugglers, and the Looting of the Ancient World, by Roger Atwood

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Stealing History: Tomb Raiders, Smugglers, and the Looting of the Ancient World, by Roger Atwood

Roger Atwood knows more about the market for ancient objects than almost anyone. He knows where priceless antiquities are buried, who is digging them up, and who is fencing and buying them. In this fascinating book, Atwood takes readers on a journey through Iraq, Peru, Hong Kong, and across America, showing how the worldwide antiquities trade is destroying what's left of the ancient sites before archaeologists can reach them, and thus erasing their historical significance. And it is getting worse. The discovery of the legendary Royal Tombs of Sipan in Peru started an epidemic. Grave robbers scouring the courntryside for tombs--and finding them. Atwood recounts the incredible story of the biggest piece of gold ever found in the Americas, a 2,000-year-old, three-pound masterpiece that cost one looter his life, sent two smugglers to jail, and wrecked lives from Panama to Pennsylvainia. Packed with true stories, this book not only reveals what has been found, but at what cost to both human life and history.

  • Sales Rank: #343895 in Books
  • Published on: 2006-01-10
  • Released on: 2006-01-10
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.21" h x .76" w x 6.14" l, 1.20 pounds
  • Binding: Paperback
  • 368 pages

From Publishers Weekly
As the destruction from the war in Iraq has demonstrated most recently, a country's antiquities are never safe from marauding looters and greedy collectors who trawl the black market. In a study that is part detective story and part history lesson, Atwood, an expert on the antiquities market who writes for ARTnews and Archaeology, focuses on one incident as a case study of the insidious effects of the illicit antiquities trade. In 1987, a group of grave robbers working at a burial mound near the village of Sipán in northern Peru uncovered a mausoleum of Moche rulers (the Moche were an innovative indigenous tribe) with a rich cache of gold and silver artifacts. Word soon spread to international buyers, who responded favorably, and prolonged looting began. By the time the Peruvian police intervened three weeks later, much damage had already been done. Walter Alva, a native Peruvian and the site's chief archeologist, uncovered many more undamaged tombs and worked tirelessly to preserve this ancient legacy, bravely confronting looters and endeavoring to establish laws to prevent museums form accepting stolen goods. The case raised international awareness of the illegal antiquities trade. Atwood's ability to bring a story dramatically to life and his keen interest in stemming the illegal antiquities trade makes this an important book for anyone interested in archeology, preservation or the potentially tangled provenance of works they love. B&w illus., one map.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
Writing for magazines such as ARTnews, Atwood is an expert on the global traffic in stolen archaeological objects. His meticulous book tracks his investigation of one such object, a gold ornament cast by the Moche culture of pre-Columbian Peru. But in a prelude, Atwood recounts the night he accompanied, with their permission, Peruvian grave robbers at work. Although sympathetic to their destitution, Atwood is appalled at their obliteration of a site's archaeological value. Of course, the demand for these objects emanates from the acquisitive appetites of museums and wealthy collectors, who appear in the course of Atwood's account of the Moche "backflap." Plundered by grave robbers in 1987, it was smuggled into the U.S. by a corrupt Panamanian diplomat and seized in an FBI sting in 1997. Atwood's high-velocity, true-crime narrative immediately hooks readers while also informing them about the international antiquities business. A case study of the sordid trade, Atwood's stern admonition to the art world to reform, before archaeological knowledge becomes irretrievable forever, deserves a hearing. Gilbert Taylor
Copyright © American Library Association. All rights reserved

Review

“Roger Atwood's Stealing History presents a compelling, thorough, and firsthand investigation of the many facets of the international trade in looted archaeological artifacts . . . Atwood's volume is . . . a most welcome addition to the literature . . . [He]. . . does a significant service by adding to our understanding of the operation of the international market in archaeological artifacts and its disastrous consequences for the preservation of archaeological sites . . . Atwood's book make a significant contribution to the scholarship on this subject, but it is accessible to the archaeologist, legal expert, and general public alike. The legal information presented is accurate and provides a useful guide to the underlying issues. This book contributes more than any other publication in more than 30 years to an understanding of the devastation to cultural heritage caused by site looting and to the search for solutions.” ―Patty Gerstenblith, American Journal of Archaeology

“A perfect detective story . . . exposes quite a few skeletons in the cupboards of respected American institutions . . . Yet Atwood not only describes the disease, he tries to find a cure. He proposes a detailed program of international and domestic legislation to stop gravediggers, smugglers, and their rich patrons.” ―The Washington Post

“Riveting . . . takes readers on a thorough investigation from war-ravaged Iraq to northern Peru.” ―The Chicago Sun-Times

“Atwood gained extraordinary access to actors at every level of the illicit trade in antiquities . . . Packed with detail.” ―The Boston Globe

“This vividly written, well-researched book is a great primer for anyone interested in the ongoing struggle by archaeologists, law enforcement officials, and national governments to curb the illegal antiquities trade.” ―Archaeology Magazine

“Every archaeologist's worst nightmare . . . is recorded with horrid fascination by journalist Roger Atwood.” ―Discover Magazine

“Prodigiously researched . . . eloquent . . . Atwood's aim is not merely to entertain, and he uses the case of the Sipán and the Peruvian antiquities trade to explore the global problem of looting and the forces that sustain it.” ―Hugh Eakin in ARTnews

“Atwood sees the antiquities market as a destructive extraction industry, obliterating the record of entire civilizations . . . even the most respected museums are implicated.” ―Wired

“A well-written book about an important issue in the world of art and history.” ―St. Louis Post-Dispatch

“A fascinating book, full of life and color . . . shines a spotlight on the shady world of looting, smuggling and trading in archaeological artifacts around the globe.” ―National Catholic Reporter

“A highly readable exposé that reveals in shocking detail the extent of the robbing, the vast sums of money involved and the market conditions that fuel the increasing demand for stolen artifacts.” ―Tucson Citizen

“Compelling . . . The characters of this drama are vividly drawn . . . Atwood's detailed accounts of law enforcement's failing at most levels are disturbing . . . [a] valuable book.” ―The Art Newspaper

“Dense with information but highly readable . . . Atwood examines in detail and with painstaking documentation how contemporary grave robbers, antiquities dealers, collectors, museums, and archaeologists are complicit in a system that robs cultures of their histories.” ―The New Mexican (Santa Fe)

“Atwood tackles the looting of ancient archeological sites in a narrative that reads like a combination of Indiana Jones and a spy thriller . . . Although he begins with a look at the looting of ancient sites in Iraq since the fall of Saddam Hussein, most of his discussion centers around the village of Sipán in Peru, where local looters stumbled across the remains of several kings of the Moche culture and their gold artifacts. Atwood traces the sale of these artifacts, the attempts of the Peruvian government to retrieve them, the involvement of the American government, and ultimately the construction of a museum to hold the finds that have been recovered . . . Stealing History is an eye-opening and engrossing look into the dark world of looting and smuggling, and the incredible losses to our knowledge of the Moche culture and other ancient groups . . . It is a fascinating read.” ―Marcia Amidon Lüsted, Academia

“Atwood's book is a compelling must-read. Thoroughly engrossing and meticulously researched and reported, it combines first-rate detective work with bracing scientific discovery. The result is stunning: The author strips away the veil of respectability that has cloaked so much of the antiquities trade for centuries. Atwood leads us where no author has gone before, into the depths of ancient tombs where gold and textiles are stolen to order, into the international smuggling rings, and into the homes and galleries of the collectors and curators who deny all wrongdoing. You will be outraged. Atwood demonstrates that nothing less than the world's cultural heritage is at sake here, not least by showing us what can be done to stop this appalling, macabre trade. Enthralling, enriching, and even enabling, this book is an unforgettable journey across time, continents, and cultures. Read it--you will never look at a museum exhibit comfortably again.” ―Phillip Wearne, author of Return of the Indian: Conquest and Revival in the Americas and co-author of Tainting Evidence: Inside the Scandals at the FBI Crime Lab

“Stealing History is an immensely compelling and disturbing tale of greed, destruction, and woe. With an unflinching eye for detail, Atwood explores the subterranean world of the antiquities trade, from the cadaver-littered pits of professional grave robbers in Sipán to the glittering collections of wealthy buyers in the world's capitals. Graphically charting the seamy traffic that is devouring the world's most important archaeological sites, Stealing History is the first book I've read that really does this subject justice. It's a must read.” ―Heather Pringle, author of The Mummy Congress: Science, Obsession, and the Everlasting Dead

“A disturbing tale of greed and cultural demolition, robust in the telling, scorching in its indictment.” ―Kirkus Reviews

“Atwood's high-velocity, true-crime narrative immediately hooks readers while also informing them about the international antiquities business . . . meticulous . . . a case study of the sordid trade.” ―Booklist

“Atwood's ability to bring a story dramatically to life . . . makes this an important book for anyone interested in archaeology, preservation, or the potentially tangled provenance of works they love.” ―Publishers Weekly

“[A] relevant and important book on plunder in Peru.” ―International Journal of the Classical Tradition

Most helpful customer reviews

0 of 0 people found the following review helpful.
fact filled fun
By Patricia A. Andrus
It was a decent read- obviously written before scummy maggots destroyed nimrod in the name of Allah, but a decent read.

9 of 10 people found the following review helpful.
Compelling
By Expectant
This is just what good non-fiction should be: fascinating, un-put-downable, and important. Not only did I learn about how the art world is allowing the great treasures of history be destroyed or lost to private collectors. This is effectively depriving the world of its history. I recommend this book not just for anyone interested in art and artifacts--though you will learn about it--but for anyone who wants to read an important book about the way we're letting the ability to study our past and our heritage go to ruin. A really good read!

9 of 9 people found the following review helpful.
Tomb Raiders, Smugglers and the Looting of the Ancient World
By E. M. Dawson
Not quite Laura Croft or Indiana Jones, this book follows the fate of several Peruvian sites and the artifacts taken from them. The focus is as much on the conflicts between the commercial antiquities trade and the archaeologists who wish to study the sites intact (taken to the extreme in actually reburrying sites as to not attract the attention of looters). Not so surprisingly the Museums operate somewhere between - benefiting from the scholarship of the archelogists and also from the tomb raiders who supply them with items for their collections (not directly of course). Well told tales of FBI stings, government policies based more on diplomatic pressures than the "saving" of cultural records and in infighting between the Peruvian archeologist Walter Alva and what seems like the world. On the most basic level, this is about the destruction and loss of history in the quest of money. The book ends with a list of suggestions for what can be done to save these sites from destruction, but I still was left with questions. Some of the measures taken by the government seems a little broad and sweeping. It left me with many questions if government intervention is the best way to stop the flow of illegal artifacts. Although the author seems to show some preference to the side of Alva and the archelogists, he does speak and interview people from all parts of the community, from the actual people who rob the graves and archelogical sites to the people who buy these artifacts either for profit or art. The introduction wrote about Iraq right after the fall of Saddam Hussein. The looting of museums and archelogical sites was immediate. I appreciated the detail of the rest of the book and its covering of covering one subject (Peru and more specifically Sipan) when it would have been very easy to make this a survey and less personal. You get a great sense of the individual personalities involved.

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Jumat, 16 Maret 2012

[N970.Ebook] Free PDF Digital Habitats: Stewarding Technology for Communities

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Digital Habitats: Stewarding Technology for Communities

  • Sales Rank: #5945286 in Books
  • Published on: 1800
  • Binding: Paperback

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Kamis, 15 Maret 2012

[T501.Ebook] Download And the Band Played on: Politics, People, And the AIDS Epidemic

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And the Band Played on: Politics, People, And the AIDS Epidemic

  • Sales Rank: #381949 in Books
  • Published on: 1994
  • Number of items: 1
  • Binding: Hardcover

Most helpful customer reviews

0 of 0 people found the following review helpful.
Five Stars
By Dorothy K. Riggs
Fascinating, well-written and an important addition to the history of our medical culture.

0 of 0 people found the following review helpful.
Five Stars
By MAX
MEETS EXPECTATIONS.

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Minggu, 11 Maret 2012

[G710.Ebook] Get Free Ebook Manga Crash Course: Drawing Manga Characters and Scenes from Start to Finish, by Mina "Mistiqarts" Petrovic

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Manga Crash Course: Drawing Manga Characters and Scenes from Start to Finish, by Mina

Everything you need to start drawing manga!

In the jam-packed pages of Manga Crash Course, popular YouTube artist Mina "Mistiqarts" Petrovic shares with you all the techniques you need to create not just manga figures and faces, but full characters and scenes. After learning the basics for drawing and coloring eyes, hands, feet and other body parts, you'll move on to facial expressions, hair and clothes--the things that will make your characters stand out from the rest.

Then, you'll put what you learned to the test as you play the Character Idea Game. Roll the dice to create wacky character combinations like Scary Vampire School Girl or Noisy Winged Knight. Finally, put your characters together in full manga scenes and paneled pages to create a dynamic story.

Your crash course to manga drawing begins...NOW!

  • More than 25 step-by-step demonstrations to guide you through creating each body part of your manga characters.
  • Over 130 lessons for facial anatomy, poses, clothing and accessories, and common hairstyles and emotions.
  • Turn your your full-sized manga characters into chibis with easy techniques.
  • Try the character invention game to help you create your own endless supply of unique manga characters and stories.

  • Sales Rank: #326984 in eBooks
  • Published on: 2015-02-11
  • Released on: 2015-02-11
  • Format: Kindle eBook

About the Author

Mina "Mistiqarts" Petrovic is a manga artist and instructor from Serbia with a degree in fashion design. She has a hefty schedule of commissions and works to teach Serbian youth easy ways to create manga. She is popular on deviantArt and YouTube with millions of views for her video tutorials.

Most helpful customer reviews

16 of 16 people found the following review helpful.
A great manga starter book
By Brandy Cross
I received this book as a gift from my sister, I like to draw and I love manga so I was curious about it and started it immediately. The introduction mainly tells you about the history of manga, different types of manga, and then you get different art techniques and tips which was actually really helpful, before a big section with over 100 lessons on drawing different parts of the anatomy, and then lessons on drawing everything you learned into a character! It even has a game to integrate different styles.

Pros:
1. It's very well laid out and easy to follow, I'm not naturally talented, but the book is not confusing for me and the steps are all there, no "Draw a circle - now draw the rest of the owl" type stuff. Very clear instructions, line by line drawing, techniques, everything that can actually show you how to get from point A. to point B. And with your own work!

2. Everything is adorable. Usually when you buy a how-to-draw book it's a little bit intimidating, but this one's very easy going, the art is fun and very well done, and adds to the instructions rather than just being there to show you how much the artist is better than you.

3. I really like that the artist has a YouTube channel with additional instructions

4. The information on drawing eyes, hands, and faces is really extensive, more so than I was expecting. Because these are all difficult parts for me, the extra time and lessons were very much appreciated.

5. The book is surprisingly big, there are lots of lessons. It says 128 pages but every page is huge, and you get drawing lessons on each one.

6. The game is a lot of fun, and really great if you're like me and don't know what to draw

7. I can definitely draw manga characters using this book

Cons:
1. I will have to buy more art supplies. The tips on inking and different types of pencils really make me want to up my game.
2. While there are a ton of lessons, I do wish it had a bit more information on drawing outfits,

10/10 would buy again. I'm already seeing improvements on my manga style, and I can't wait to keep practicing.

10 of 10 people found the following review helpful.
Colorful, fun, easy to follow and informative. Highly recommended (especially to beginners)!
By Melissa
This book is well put together and I highly recommend it.

The instructions are easy to understand and is packed with useful little tips for improving your manga drawings. The pages are filled with step-by-step illustrations to help beginners follow along with the instructions. You never get lost between steps and the chapters/content is well organized to help with your progression.

Aside from demonstrating the basics on how to draw manga characters (normal sized and chibi), the book covers a variety of topics such as
- creating hair styles
- drawing clothing details properly
- mapping facial expressions correctly
- manga inking and shading techniques
- idea generation for interesting and unique characters
- creating polished pictures
- creating well constructed manga pages with multiple panels

I'm satisfied with my purchase. ^_^

5 of 5 people found the following review helpful.
I love it
By Brandy
I don't have a lot of experience with how to draw manga books but this one is exactly what I was hoping for! I think it's worth the money just for the art if you like chibis and manga. Cute drawings on every page.The fire athlete is so hot! The instructions are easy to follow, lots of step by step and I didn't get lost once, and everything was so much fun, I really wish I could go get in person lessons now. I follow Mistiqarts on YouTube which is why I pre-ordered it and then it arrived a full month before it said it would ship. I was really surprised by how big the book is, it says it's only 128 pages but there are a LOT of lessons and they're all really big and easy to see, not like the little pocket drawing guides you see a lot. Super excited so far and I can't wait to draw something else.

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Rabu, 07 Maret 2012

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Vivimos tiempos de confusion e incertidumbre. Tiempos que requieren una profunda reflexion y puesta dia de algunas ideas que permitan concebir el futuro de otra forma. Ernesto Guevara (1938-1967), el Che, se propuso pensar la realidad desde otro angulo y actuar con esas ideas hasta dar su vida por ellas. Su rostro es, pese al tiempo transcurrido desde su muerte a manos del ejercito boliviano, un simbolo universal de rebeldia e inconformismo. Mario Pacho O'Donnell, biografo de renombre internacional, ha escrito un libro singular, profundo y definitivo con el fin de desvelar aspectos hasta ahora desconocidos de la mitica figura del Che. Tras su rastro, investigando con minuciosidad, el autor ha recorrido el mundo entrevistando a personas que trataron directamente con el en differentes etapas de su vida. Desde Rosario Lopez, su ninera, y los amigos de infancia y adolescencia, a Gary Prado, el capitan de los rangers que le capturo en Bolivia, o Urbano, uno de los escasos supervivientes cubanos que compartio con el comandante Guevara todas sus aventuras revolucionarias. Gracias a estos testimonios y al conocimiento psicologico del personaje, O'Donnell ha sabido reconstruir con amenidad y rigor el pasaje humano, politico y sentimental de uno de los grandes iconos del progresismo y la izquierda. Hoy en dia, y gracias al amplio y variado movimiento antiglobalizacion y al vigoroso sentimiento antiimerialista por la invasion a Iraq, la figura del Che Guevara es recuperada por una juventud que quiza, por el tiempo transcurrido desde su muerte, no conoce con la suficiente profundidad el trabajo y la valentia, la contradicciones y errores de este legendario guerrillero argentino y cubano.

  • Sales Rank: #10076849 in Books
  • Published on: 2006-04-10
  • Original language: Spanish
  • Dimensions: 7.50" h x 5.00" w x 1.50" l,
  • Binding: Paperback
  • 571 pages
Features
  • Ernesto Che Guevara
  • Che
  • Latin America

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Senin, 05 Maret 2012

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Currently, science fiction in all its forms is enjoying enormous popular interest. There can be no doubt that science fiction books and films have great influence on the public view of science and scientists.

Close Encounters? examines the historical development of science fiction as a genre in books and films, tracing its roots, examining its most common ideas, exploring its relationship to "real" science, and attempting to assess its cultural impact. Discussion focuses on major themes such as time travel, politics, religion, ecology, and disasters. The authors consider the science in science fiction, the images of scientists that science fiction conveys, and some of the political, religious, and social motifs prominent in science fiction. They also discuss pseudo-science and its growing influence on the public perception of science.

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  • Sales Rank: #4545775 in Books
  • Brand: Brand: CRC Press
  • Published on: 1990-01-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.64" h x .49" w x 7.47" l, .97 pounds
  • Binding: Paperback
  • 191 pages
Features
  • Used Book in Good Condition

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"a careful, knowledgeable and sympathetic consideration of science fiction in its various forms and its relation to science." Isaac Asimov eful, knowledgeable and sympathetic consideration of science fiction in its various forms and its relation to science." Isaac Asimov "It is well written....The book is worth the investment." Fantast (Medway) Ltd well written....The book is worth the investment." Fantast (Medway) Ltd ..."anyone interested in the sociology of filmic representations of scientists and science will find it rewarding" one interested in the sociology of filmic representations of scientists and science will find it rewarding" "Close Encounters? will continue to provide me with new maps to regions of interest and pleasure in sci-fi which I might, left to myself, overlook." Colin Keay, Australian and New Zealand Physicist Encounters? will continue to provide me with new maps to regions of interest and pleasure in sci-fi which I might, left to myself, overlook." Colin Keay, Australian and New Zealand Physicist "In sum, Close Encounters? is a brief, readable and reasonably priced introduction, suitable for a section of an introductory course on science and literature." British Journal for the History of Science, Close Encounters? is a brief, readable and reasonably priced introduction, suitable for a section of an introductory course on science and literature." British Journal for the History of Science

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